| platform | deposit | inflection |
| i n f l e c t i o n | [ castellano ] |
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The curatorial and editorial projects of TRISTESTÓPICOS are conceived as exercises of critical intervention. In this sense, the concept of inflection consists in an epistemological activism that is introduced in the public sphere through publications, debates, active thinking, critical education, infiltrating institutions, etc. ·············································································································································· PUBLICATION / BULLETIN “(Ex) centric documents on the Latin-American imaginary”. This publication constitutes a device of reflection edited in an independent manner and free distribution.
_ Bulletin N.1
_ Bulletin N.2
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_Texts and papers of divers theoreticians that have collaborated with the deposit since its intellectual action in contemporary cultures own problematics and its political implicances. Universalidad y subalternidad latinoamericanas Entrevista con George Yúdice / documento pdf El pensamiento descolonial, desprendimiento y apertura: un manifiesto Walter Mignolo / documento pdf Cambiando las éticas y las políticas del conocimiento: la lógica de la colonialidad y la postcolonialidad imperial Walter Mignolo / documento pdf La crítica de arte en Latinoamérica Carlos Jiménez / en construcción documento pdf Arqueología de una mirada criolla: el informe de la matanza de Uchuraccay Santiago López Maguiña / en construcción documento pdf ·············································································································································· DEBATE
This model is conceived in an ample way, as its spectrum is not reduced only to the elaboration of art exhibits., but to the conception, design and the moving of different formats of public interaction of the group as may be the debate cycles, the participation in congresses and seminars, public debates, regarding exhibitions, etc. ·············································································································································· EDUCATION
Strategic academic work with an alternative and independent character. The objective is to build a practical and theoretical exercise frame that may permit offering independent studies in specific contexts and engage with some programs of third cycle of universities with intercultural studies, visual culture and the new scenarios of art history. ·············································································································································· INFILTRATION
It is understood as an efficient strategy for outspreading the contents and on line collaboration with other media. None the less, to infiltrate in the channels of circulation of other magazines, books or media is not simply mechanism of economic sustainability but a way of understanding the production and circulation of knowledge. _ Revista de Crítica Cultural / num. 62, junio 2006
SER.POST.LATINOAMERICANO: remitir, admitir, discernir la Nueva Izquierda Latinoamericana / documento.pdf Inserto que reproduce parte de los archivos del Depósito del colectivo. Esta colaboración se construye sobre la cuestión acerca de la homogeneidad de un nuevo bloque de izquierdas en latinoamérica. _ Producta 50: relaciones entre economía y cultura Estrategia creativas de patrimonialización de la identidad: La Marca País / ver depósito Branding Asociadas al posicionamiento de marcas nacionales en los circuitos del mercado global, las metodologías del branding y del diseño de la identidad corporativa han venido ofreciendo una manera de resolver necesidades políticas, valiéndose de la lógica del bien común para confeccionar sellos de identidad patrimonial en el marco de la expansión de los mercados. _ Brumaria: Artistic, aesthetics, and political practices / num 5, 2005. SER. POST. LATINOAMERICANO. The act of remitting as a form of resistance Publicación del Boletín N.1 y la entrevista al crítico cultural George Yúdice. ··············································································································································
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